SXSW Review: Apollo 10 1/2: A Space Age Childhood
Richard Linklater is a master of the quotidian. Whether it’s the aimless 70’s summer night of Dazed and Confused or the sprawling meditation…
SXSW Review: Really Good Rejects
Really Good Rejects is a film ostensibly about Reuben Cox, a luthier who pioneered a special type of pick up found on numerous…
SXSW Review: Marcel the Shell With Shoes On
Marcel the Shell With Shoes On honestly couldn’t have been a better first film back at SXSW because it truly understands the main…
You’re Gone, You’re Everywhere: Cassandra Jenkins “An Overview on Phenomenal Nature”
When Cassandra Jenkin’s released An Overview on Phenomenal Nature this time last year, I had spent nearly a year of my life contemplating…
SXSW21: Without Getting Killed or Caught
Without Getting Killed or Caught tells the story of Guy Clark, the great Americana songwriter. Like many retrospective documentaries, it explores the highs…
SXSW21: The Sparks Brothers
Edgar Wright’s love of music should come as no surprise. From the classic musical cues in Shaun of the Dead to the choregraphed…
SXSW21: We Are the Thousand
The soulful Pop Theology duo of Ryan Parker and Benjamin PowerGriffin break down the new documentary, We Are the Thousand, which has its…
It hurts me that I have to look away: Drive-By Truckers “The Unraveling”
When Drive-By Truckers opted to have a Wes Freed-less album cover on their previous record American Band, I was taken aback. Now that…
SXSW 2019 – Andrew Bird Live From the Great Room Featuring T-Bone Burnett and Yola
Andrew Bird brought his interview and performance series “Live From the Great Room” to SXSW this year for a riveting edition featuring American…