At SXSW25: ASCO: WITHOUT PERMISSION
Having spent most of my adult life living outside Mississippi, I would occasionally encounter people that would react a certain way when they…
SXSW25 Preview
It’s that time of year again when Pop Theology comes alive with a flurry of posts from yours truly and Benjamin PowerGriffin. We’ll…
At SXSW24: Doppelgängers³
I’ll confess, Doppelgängers³ wasn’t on my list of films to catch at the festival this year. My colleague Alexander Carpenter and I only…
THE GOD OF WILD PLACES: A Review
We’ve sequestered death, pushed it off to arm’s length. […] Hunting has changed that for me in a way that religion never did.…
At SXSW24: MY DEAD FRIEND ZOE
“We see a lot of war movies. We don’t really see a lot of movies about veterans,” said first time writer/director and Army…
At SXSW24: SING SING
We are more than the worst thing we have done. But what if the worst thing we ever do becomes part of the…
At SXSW24: MONKEY MAN
Might as well come out and say it…Monkey Man is one of the best action movies I’ve seen in a long time and…
At SXSW24: BACKSPOT and NATATORIUM
Two of my first SXSW24 screenings were of small, fiercely independent dramas that feature strong female leads. Backspot is one of the first…
INTO THE SPOTLIGHT
Director Thaddeus D. Matula‘s documentary, Into the Spotlight, follows a theatre troupe composed, primarily, of individuals with intellectual and developmental disabilities (IDD). Each…








