At SXSW26: Over Your Dead Body
SXSW has long staked its reputation on being a genre positive festival – from comedy, to action, to horror, and every permutation thereof,…
At SXSW26: THE LIFE WE LEAVE
The Life We Leave, directed by JJ Gerber, premiered at SXSW on Friday afternoon at the Alamo Theater. Quite simply put, this is…
At SXSW26: POWER BALLAD
The latest John Carney film, Power Ballad, premiered at SXSW on Saturday, March 14 to a packed audience at the Paramount Theatre. The…
SXSW 2026 – SURFILMUSIC
Jack Johnson’s music has always invoked a certain vibe. While words such as “chill” or “beachy” might be common, I think it’s far…
SXSW26: YOUR ATTENTION PLEASE
We are screwed. Well and truly. That’s the feeling I got after watching Your Attention Please at SXSW over the weekend. If you’ve seen the…
At SXSW26: CORNBREAD MAFIA
They may have been known as a mafia, with all the negative connotations that implies, but make no mistake about it, the members…
SXSW26 Film Preview
SXSW is going to look a little (maybe a lot?) different this year thanks, in part, to construction on the new convention center…
Find Me Among the Sick – A Review of “The Carpenter’s Son”
When the trailer was first released for Lofty Nathan’s Biblical horror film The Carpenter’s Son, there was some understandable trepidation from all sides.…
At SXSW25: BROTHER VERSES BROTHER
I am always intrigued when filmmakers set creative limitations for themselves. Perhaps the most radical, but inconsistent, of these being Dogme 95, a…








