At SXSW26: Tokyo Calling Showcase
Just a couple of weeks ago, I was teaching a class on how to minister to agnostic/atheistic patients in the hospital where I…
At SXSW26: Over Your Dead Body
SXSW has long staked its reputation on being a genre positive festival – from comedy, to action, to horror, and every permutation thereof,…
SXSW 2026 – SURFILMUSIC
Jack Johnson’s music has always invoked a certain vibe. While words such as “chill” or “beachy” might be common, I think it’s far…
What We’re Listening to at SXSW 2026
As we gear up for the marathon that is SXSW, we admit that we’re a little intimidated now that the 7 days stretch…
Find Me Among the Sick – A Review of “The Carpenter’s Son”
When the trailer was first released for Lofty Nathan’s Biblical horror film The Carpenter’s Son, there was some understandable trepidation from all sides.…
SXSW25 Review – Hallow Road
Many parents would do just about anything to protect their children from harm – but it is a terrifying thought to consider what…
SXSW 25 Review – Your Higher Self
When one considers of the concept of a “life-coach,” it is perhaps easy to conjure up images of cunning grifters with soft voices…
Album Review: Shawn Seguin “Saving Christmas”
One of the greatest gifts Sufjan Stevens gave the music world was permission to hold the sacredness and the silliness of Christmas…
