What’s the Meaning Behind Lady Gaga’s New Video?
(Hint: There is none.) Frequent Pop Theology contributor Richard Lindsay offers his take on the music video for Lady Gaga’s new song, “Alejandro,”…
A Review of ‘Saint of 9/11’
W.H. Auden once described his spiritual mentor as a man of such genuine piety that you did not feel compelled to be upright…
Doesn’t Take a Superhero
Pop Theology contributor Richard Lindsay reviews the new release, Kick-Ass, after the jump. I ought to kick his for seeing it before me.
Moments of Grace…
Richard Lindsay reviews A Single Man after the jump.
The Bubble: A Review
Israelis have a strong sense of holy space. Solomon’s Temple, now just a venerated wall, was not simply a place to worship God,…
Tear Me Down: Why Hedwig still Rocks Twenty Years after the Wall
Check out Richard Lindsay’s review of Hedwig and the Angry Inch after the jump.
The World’s Dead, But At Least the Family Survived
There’s an interesting thread to Roland Emmerich’s disaster films. Against the backdrop of alien invasions or global warming is the story of geographically…
Year One: In the Beginning, There Was Schtick
A romp of Biblical ridiculousness proves there’s nothing new under the sun. Review by Richard Lindsay.
21st Century Breakdown: Green Day’s Operatic Follow-up to American Idiot
The middle-aged boys of Green Day continue they’re singular positions as composers of punk opera, as explained in this review from Richard Lindsay.