“Moonlight” Is a Film of Great Tenderness and Spirit
Moonlight has been receiving critical buzz since its debut at the winter film festivals last year, some of which has resulted in a…
At Sundance: THEIR FINEST
Their Finest wasn’t on my radar going into Sundance this year, but it turned out to be one of my more enjoyable screenings.…
At Sundance: COLUMBUS
Columbus, the first feature film from Kogonada, a video essayist and artist, reveals a filmmaker who understands the ways in which the aesthetics…
A Scorsese Q & A
Over the weekend, I had the rare opportunity to listen to–and briefly meet–one of my favorite directors (and one that I consider the…
Thoughts on ‘Rogue One’: the Maccabees of the Star Wars Canon
If the box office receipts are to be believed, you’ve already seen Rogue One: a Star Wars Story. So rather than a…
‘Silence’: A PopTheology Conversation
Martin Scorcese’s monumental Silence is now playing in select theaters and is slated for wide release on January 13th. The story of Jesuit…
Fantastic Beasts: Carl Jung’s Lawyer Called and He Wants a Writing Credit
Fantastic Beasts and Where to Find Them, the reboot of the Harry Potter series, takes viewers even further afield into the wizarding world–to…
At AFI FEST: THE NET
The South Korean film, The Handmaiden, has gotten glowing reviews this year, but it’s another, more modest film, Kim Ki-Duk’s The Net, that…
At AFI FEST: LIVE CARGO
Logan Sandler’s debut feature, Live Cargo echoes the first (and best part) of Lars von Trier’s Antichrist. Shot in black and white, both films deal,…


