SXSW Review: I LOVE MY DAD
How far would you go to (re)connect with an estranged family member? The central character of the SXSW narrative feature winner, I Love…
SXSW Reviews: FIRE OF LOVE and CLEAN
My participation at SXSW22 has once again been online only. Prepping for a move to Mississippi and to teach a course the week…
SXSW Review: Apollo 10 1/2: A Space Age Childhood
Richard Linklater is a master of the quotidian. Whether it’s the aimless 70’s summer night of Dazed and Confused or the sprawling meditation…
SXSW Review: Really Good Rejects
Really Good Rejects is a film ostensibly about Reuben Cox, a luthier who pioneered a special type of pick up found on numerous…
SXSW Review: Marcel the Shell With Shoes On
Marcel the Shell With Shoes On honestly couldn’t have been a better first film back at SXSW because it truly understands the main…
You’re Gone, You’re Everywhere: Cassandra Jenkins “An Overview on Phenomenal Nature”
When Cassandra Jenkin’s released An Overview on Phenomenal Nature this time last year, I had spent nearly a year of my life contemplating…
“Reel Religion:” The Bible, Movies, and the Blackfriar Gallery Poster Collection
Richard and I recently appeared on the Wise Habits discussion series to talk about our late advisor and mentor Michael Morris’ biblical movie…
‘The Eyes of Tammy Faye’ fills out drama of legendary documentary
The Eyes of Tammy Faye (in theaters now) dramatizes the life of Tammy Faye Bakker, wife of the duo that started PTL (Praise…
The Need for New Stories
It might sound like a weird question, but what comes first, perception or storytelling? The two are so intricately interwoven that by the…