SXSW Review – Crows Are White
A Buddhist monk, shrouded in night, donning the bright white medieval garb of his sect, wanders up a mountain with a simple lamp.…
SXSW Review: The Kids in the Hall – Comedy Punks
For a generation of comedy fans, The Kids in the Hall gave us permission – not simply to laugh at life’s absurdities but…
SXSW Review: I LOVE MY DAD
How far would you go to (re)connect with an estranged family member? The central character of the SXSW narrative feature winner, I Love…
SXSW Review: Apollo 10 1/2: A Space Age Childhood
Richard Linklater is a master of the quotidian. Whether it’s the aimless 70’s summer night of Dazed and Confused or the sprawling meditation…
SXSW Review: Really Good Rejects
Really Good Rejects is a film ostensibly about Reuben Cox, a luthier who pioneered a special type of pick up found on numerous…
SXSW Review: Marcel the Shell With Shoes On
Marcel the Shell With Shoes On honestly couldn’t have been a better first film back at SXSW because it truly understands the main…
SXSW21: Without Getting Killed or Caught
Without Getting Killed or Caught tells the story of Guy Clark, the great Americana songwriter. Like many retrospective documentaries, it explores the highs…
SXSW21: We Are the Thousand
The soulful Pop Theology duo of Ryan Parker and Benjamin PowerGriffin break down the new documentary, We Are the Thousand, which has its…
