At Sundance ’18: TYREL
One of my most anticipated films at Sundance this year, Sebastián Silva‘s Tyrel, was billed as this year’s Get Out. It’s definitely not that, and that’s…
At Sundance ’18: COME SUNDAY and THE MISEDUCATION OF CAMERON POST
Two films at Sundance center on belief, specifically Christian beliefs and what happens when we question them and/or force them on others. In…
At Sundance ’18: THIS CLOSE
At a time when diversity and representation are a major focus in the entertainment industry, it’s important to note that this primarily applies…
At Sundance ’18: AN EVENING WITH BEVERLY LUFF LINN
Jim Hosking’s first feature film, The Greasy Strangler, is still making an impact here at Sundance, where it premiered two years ago. Festival-goers…
At Sundance ’18: WHITE RABBIT
Daryl Wein found his inspiration for his latest film, White Rabbit, premiering in the NEXT category here at Sundance, in performance artist and…
At Sundance ’18: PITY
Premiering at Sundance last year, Ingrid Goes West was a dark comedy that explored the shadow-side of our obsession with social media. It…
At Sundance ’18: DEAD PIGS and REVENGE
At this year’s Sundance Festival, women directors are making an incredibly strong showing. Most of the films on my must-see list are helmed…
At Sundance ’18: WON’T YOU BE MY NEIGHBOR
Won’t You Be My Neighbor is a documentary about Fred Rogers and the unlikely phenomenon of Mister Rogers’ Neighborhood. It is simultaneously a…