At SXSW24: Omar and Cedric: If This Ever Gets Weird
Let’s get this out of the way first: At the Drive-In were one of the most important bands in my life. They altered…
You’re Gone, You’re Everywhere: Cassandra Jenkins “An Overview on Phenomenal Nature”
When Cassandra Jenkin’s released An Overview on Phenomenal Nature this time last year, I had spent nearly a year of my life contemplating…
SXSW21: Without Getting Killed or Caught
Without Getting Killed or Caught tells the story of Guy Clark, the great Americana songwriter. Like many retrospective documentaries, it explores the highs…
SXSW21: The Sparks Brothers
Edgar Wright’s love of music should come as no surprise. From the classic musical cues in Shaun of the Dead to the choregraphed…
SXSW21: We Are the Thousand
The soulful Pop Theology duo of Ryan Parker and Benjamin PowerGriffin break down the new documentary, We Are the Thousand, which has its…
It hurts me that I have to look away: Drive-By Truckers “The Unraveling”
When Drive-By Truckers opted to have a Wes Freed-less album cover on their previous record American Band, I was taken aback. Now that…
Lose Your Fear, Superstition – The Low Anthem’s “The Salt Doll Went to Measure the Depth of the Sea”
We are always on the cusp of death. At every moment, a thin veil rests between us and an infinite abyss. If we…
SXSW18 PopTheology Mixtape Vol.3
SXSW holds an embarrassment of riches – so rich, in fact, that it’s simply too much to take it all in. Also, it’s…
At SXSW18: HEAVY TRIP
From the outside, the death metal scene can seem pretty intimidating. Full of the dour and dejected, decked out in shirts depicting horrific…